Illuminations is an incompleted suite of prose poems by the French poet Arthur Rimbaud, first published partially in La Vogue (fr), a Paris literary review, in May–June 1886. „În pădure există o pasăre, iar cîntecul ei te face să te opreşti şi să roşeşti.Įxistă o groapă cu un cuib de jivine albe.Įxistă o catedrală care coboară şi-un lac care urcă.Įxistă o trăsură părăsită în crîng sau care coboarăĬărarea în goană, împodobită cu panglici.Įxistă o trupă de comedianţi în costume, zăriţi pe drumul de sub poala pădurii.Įxistă, în sfîrşit, cineva care te alungă atunci cînd ţi-e foame şi sete”. Un exemplu cunoscut, partea a III-a din Copilărie: Cititorul e lăsat să aleagă semnificația care-i convine. În plus, Rimbaud frînge legătura venerabilă dintre poezie și înțeles. Rimbaud face, așadar, saltul între genuri și propune ceea ce criticii literari au numit „poeme în proză”. Poezia însemna ritm și rimă, o rostire muzicală. Firește, înaintea lui, nu mai scrisese nimeni în acest chip. Cu siguranță, Arthur Rimbaud nu se gîndea la becuri și fire de telegraf. Iluminațiile trimit la electricitate și nu au nici un sens în textul publicat de autor. As a poet, Rimbaud is well known for his contributions to symbolism and, among other works, for A Season in Hell, a precursor to modernist literature.Įra mai bine dacă Mihai Nemeș traducea titlul prin Iluminări. After his retirement as a writer, he traveled extensively on three continents as a merchant and explorer until his death from cancer. After assembling his last major work, Illuminations, Rimbaud completely stopped writing literature at age 20 years in 1874.Ī hectic, violent romantic relationship, which lasted nearly two years at times, with fellow poet Paul Verlaine engaged Rimbaud, a libertine, restless soul. During his late adolescence and early adulthood, he produced the bulk of his literary output. He started writing at a very young age and excelled as a student but abandoned his formal education in his teenage years to run away to Paris amidst the Franco-Prussian war. With known transgressive themes, he influenced modern literature and arts, prefiguring. This work is framed to museum-grade, conservation standards, presented in a complimentary moulding and finished with silk-wrapped mats and optical grade Plexiglas.Hallucinatory work of French poet Jean Nicolas Arthur Rimbaud strongly influenced the surrealists. A Certificate of Authenticity will accompany this work. Listed and illustrated as catalogue raisonné no. Fernand Léger, The Complete Graphic Work. This work is fully documented and referenced in the below catalogue raisonnés and texts (copies will be enclosed as added documentation with the invoices that will accompany the final sale of the work).ġ.Saphire, L. ![]() Annotation and editor’s signature are unique to this rare, trial proof edition with hand-applied coloring. Annotated ‘essai de tirage’ (or, trial proof) and hand signed by Louis Grosclaude (editor) in pencil in the lower left margin. Printed by Roth & Sauter, Lausanne, this work is hand signed by Fernand Léger (Argentan, 1881- Gif-sur-Yvette, 1955) in pencil in the lower right with his initials printed in black in the lower right of the image. Ominous and clearly referencing the tone and character of Rimbaud’s work, Léger has intriguingly captured the strength and essence of this written inspiration.Ĭreated in 1949, this original color lithograph with hand-applied pochoir coloring was one of a series of 15 works by Fernand Léger intended to illustrated a book of poems by the writer, Arthur Rimbaud titled Les Illuminations. Central to the piece is the phrase, ‘Assassins | Le temps des voici (Assassins | The Time is Now)’. A lively, abstract black and white shape anchors the work, flanked by three circular organic forms in a brilliant red. This intriguing composition goes hand-in-hand with Rimbaud’s poem titled Génie. This work is in great condition, with full margins and bright fresh colors. Hand-signed by Louis Grosclaude (editor) in pencil Also signed ‘F.L.’ in the stone in black in the lower right. This work is hand-signed by Fernand Léger (Argentan, 1881- Gif-sur-Yvette, 1955) in pencil in the lower right margin. Original Color Lithograph with Hand-Applied Pochoir on Lana Vélin paperĪnnotated ‘essai de tirage’ (or, trial proof) and hand signed by Louis Grosclaude (editor) in pencil in the lower left margin. ![]() Matinée d’ivresse (Morning Rapture) from Les Illuminations, 1949 Fernand Léger, Matinée d’ivresse (Morning Rapture) from Les Illuminations, 1949
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